{"id":1086,"date":"2018-07-24T16:11:35","date_gmt":"2018-07-24T16:11:35","guid":{"rendered":"http:\/\/spmodels.net\/commercial\/?p=1086"},"modified":"2018-07-24T16:11:35","modified_gmt":"2018-07-24T16:11:35","slug":"the-art-of-making-a-music-video","status":"publish","type":"post","link":"https:\/\/spmodels.net\/digital\/the-art-of-making-a-music-video\/","title":{"rendered":"The Art Of Making A Music Video"},"content":{"rendered":"

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What is a Music Video production?<\/h2>\n

Despite all of the artistic freedom involved with making a music video , the end result still has to serve one purpose: promotion. The music video is a promotional tool for the artist. It sometimes serves as a conduit to attention from a label, but more often it is a catalyst for CD sales or artist song downloads. While a hit video can do a lot for you as a director, its primary goal is to serve the music artist.<\/p>\n

Making a Music Video<\/strong><\/em><\/h1>\n

The Treatment<\/h2>\n

The first step in making your music video is the treatment. In the world of high budgets and major labels, directors typically are contacted and asked to develop a concept or a treatment for the video, based on the message or the mood of the song. This step is often a crap shoot. It\u2019s where jobs are won and lost. Often the best concept is not the one that wins the job. Most of the time it\u2019s the concept that fits into the allotted budget for the project. Still, large budgets are not always the director\u2019s best friend. They often cause more problems and cloud the pathway to creative ingenuity.<\/p>\n

Working with small budgets will allow you, as a director, to take the focus off the glitz typically associated with the MTV set and allow you to make the artist the star.<\/p>\n

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Workflow & Planning<\/h2>\n

Even with a concise treatment in-hand, it\u2019s easy to get sidetracked when shooting something as inspired as a music video. More often than not, an eye on the three \u201cL\u201ds will keep you grounded and focused on making your music video.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

Licensing For Making a Music Video<\/h2>\n

No matter how you slice it, there\u2019s a business model lingering behind any sort of marketable art form. When it comes to potential legal quagmires, music is right at the top of the list. That\u2019s why it is so important for you to make sure you are covered before you give the first \u201caction.\u201d<\/p>\n

If you\u2019re dealing with a musical group that pays dues to ASCAP (American Society of Composers, Authors & Publishers) or BMI (Broadcast Music, Inc.), you will need to obtain a synchronization license which allows you, as the producer of the video work, to use the copyrighted music in timed relation with a visual image.<\/p>\n

Locations & Logistics<\/h2>\n

As with any video production, every time you envision multiple locations, the more pre-production planning is required. This is certainly also the case when you\u2019re making a music video. Depending on the complexity of your treatment, you will have to make sure your locations have ample power and space for crew, musical equipment, and any other props you pictured as part of your musical masterpiece.<\/p>\n

Depending on the location, it\u2019s also likely that you are going to draw a fair amount of attention from curious passers-by. Having the proper permissions and paperwork from either the property owner or your city or county government will save you tons of hassle and help to keep your vision alive.<\/p>\n

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Audio Playback<\/h2>\n

Synchronizing audio is a true art (particularly when making a music video), but you don\u2019t need to invest in digital slates or big budget audio gear to make sure you have proper sync in your video. However, if you plan on doing any sort of lip and instrument synching, good technique is a vital part of your finished product.<\/p>\n

You will most likely be using a studio recording of the song you\u2019re highlighting in your video. Naturally, then, this means that the sound you\u2019re picking up on the camera microphone is not going to be the final mix you\u2019ll need for the finished product. While there are tons of ways to accomplish the same task, splitting your song into segments and marking in-points of each segment with \u201ctwo-pops\u201d is a method which always seems to work fairly well, even under the most low-budget circumstances.<\/p>\n

As stated, there are tons of ways to achieve proper sync; this is only one of them. Do some research and find the method that works best for you. There\u2019s nothing wrong with a little technical experimentation, as long as you have your ducks in a row prior to your shoot.<\/p>\n

Finding Clients<\/h2>\n

Nearly all musicians dream of being in a music video. This makes finding willing participants relatively easy. Just cruise your local instrument shop or scan the local papers and you\u2019re bound to find some newly-formed wunderkind group with an eye on stardom to let you direct their first video. And, if you\u2019ve never directed a music video, this is the perfect client for you.<\/p>\n

There won\u2019t be much of a budget, if any, but finding such an act will get your feet wet and provide the breathing room to make the mistakes you\u2019ll want to get out of the way before you move on to bigger names. Working with new acts is also a way to build your music video reel. Eventually, your skills will improve, and you\u2019ll have a nice cache of work to pull from. You can use this to promote your abilities of making a muisc video to bigger musical acts and hopefully pave your way to music video stardom.<\/p>\n

Making a Music Video and Lincensing Issues<\/h2>\n

Licensing is always a complicated issue. No one on the Videomaker staff or this writer is a legal expert, and only your own attorney can advise you on your particular situation. Laws vary from state to state. Even if you do your research, it\u2019s best to obtain the advice of a professional entertainment attorney before signing any documents.<\/p>\n<\/div>\n